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Continuing with Extreme-Metal's monthly section for music, here is July's feature:
LYMPHATIC PHLEGM (Pathologic Goregrind from Curitiba [Paraná], Brazil)
Formed in 1996
Lymphatic Phlegm's style of goregrind was originally rooted in noisy Carcass worship like many Brazilian goregrind artists, but quickly diverged into stranger and stranger directions, and at this point in Lymphatic Phlegm's career, this is certainly the strangest yet. 'Pathogenesis Infest Phlegmsepsia' delves headlong into the band's strange style of goregrind without even the slightest glance back. Lymphatic Phlegm's style is defined by several elements, each of which are exploited to their fullest on this release. The riffing, while always unusual, heavily influenced by older styles of metal as well as traditional goregrind, is even more hypermelodic and bizarre than usual, with these pathological microsongs packed to the brim with guitarwork that seems to go every direction but forward. There are almost no riffs which go in a conventional goregrind direction, instead preferring to erupt into flurries of melodic yet vaguely sickening notes which don't tend to enjoy moving in typical tremolo patterns. Heavy influences from '70s and '80s styles of metal are present, with somewhat more traditional goregrind riffs suddenly switching in strange retro directions but still maintaining melodic coherency.
LYMPHATIC PHLEGM (Pathologic Goregrind from Curitiba [Paraná], Brazil)
Formed in 1996
Lymphatic Phlegm's style of goregrind was originally rooted in noisy Carcass worship like many Brazilian goregrind artists, but quickly diverged into stranger and stranger directions, and at this point in Lymphatic Phlegm's career, this is certainly the strangest yet. 'Pathogenesis Infest Phlegmsepsia' delves headlong into the band's strange style of goregrind without even the slightest glance back. Lymphatic Phlegm's style is defined by several elements, each of which are exploited to their fullest on this release. The riffing, while always unusual, heavily influenced by older styles of metal as well as traditional goregrind, is even more hypermelodic and bizarre than usual, with these pathological microsongs packed to the brim with guitarwork that seems to go every direction but forward. There are almost no riffs which go in a conventional goregrind direction, instead preferring to erupt into flurries of melodic yet vaguely sickening notes which don't tend to enjoy moving in typical tremolo patterns. Heavy influences from '70s and '80s styles of metal are present, with somewhat more traditional goregrind riffs suddenly switching in strange retro directions but still maintaining melodic coherency.
Legendary influential hardcore
March's feature for extreme music from around the world:
SIEGE -Hardcore Punk/Early Grindcore from Weymouth, Massachusetts, USA
[formed in 1981]
Kurt Habelt, Henry McNamee, and Rob Williams formed what was to become Siege around 1981. The three youngsters from Weymouth, Massachusetts had been playing music together since 7th grade or so. The band didn't really solidify until they recruited ska band saxophonist Kevin Mahoney on vocals in 1983. Although Mahoney was from Braintree, Massachusetts (near Boston and home also to Jerry's Kids and Gang
California Oldschool Grind
February's feature for extreme music from around the world:
PHOBIA -Grindcore from Orange county, california, USA
[formed in 1990]
Before I start you should know that I am a bit biased when it comes to Phobia, I love everything I have ever heard by them and consider them an essential listen for any lover of extreme music.
Anyhow, Phobia! This is their earliest release that I have heard and if you have only heard their stuff from say Cruel and onwards it's possible you could be turned off by the fuzziness of the guitars, some say it make
The most cursed Experimental Black Metal?
January's feature for extreme music from around the world:
STALAGGH -Experimental/Noise/Black Metal from Amsterdam, Netherlands
[formed in 2000]
Stalaggh were a black metal/experimental noise group who took their name from the German word "Stalag" which was a WWII concentration camp. The extra G and H stands for "Global Holocaust". In an anonymous interview, the collective claimed that the real names and faces of the members involved will never be revealed and they will never perform live. A special hallmark of the recordin
Blackened War Death Metal
December's feature for extreme music from around the world:
TEITANBLOOD -Blackened Deathmetal from Madrid, Spain
[formed in 2003]
Dissected and analyzed, it would be easy to mistake Teitanblood for a simple mash-up of black and death metal influences. What sets them apart is the awe-inspiring manner in which they weave it all together, shrouding the ensuing cacophony in a impenetrable mantle of malignant atmosphere. The production is characteristically grimy, sounding like it was recorded in the bowels
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I can dig it.